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The Namesake, by Jhumpa Lahiri
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A Pulitzer Prize-winning Author
The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of their arranged marriage, Ashoke and Ashima Ganguli settle together in Cambridge, Massachusetts. An engineer by training, Ashoke adapts far less warily than his wife, who resists all things American and pines for her family. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. Named for a Russian writer by his Indian parents in memory of a catastrophe years before, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name.
- Sales Rank: #2504566 in Books
- Brand: Brand: Wheeler Publishing
- Published on: 2003-12-02
- Format: Large Print
- Original language: English
- Number of items: 1
- Dimensions: .98" h x 6.44" w x 9.44" l,
- Binding: Hardcover
- 447 pages
- Used Book in Good Condition
Amazon.com Review
Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks.
Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. --Claire Dederer
From Publishers Weekly
One of the most anticipated books of the year, Lahiri's first novel (after 1999's Pulitzer Prize-winning Interpreter of Maladies) amounts to less than the sum of its parts. Hopscotching across 25 years, it begins when newlyweds Ashoke and Ashima Ganguli emigrate to Cambridge, Mass., in 1968, where Ashima immediately gives birth to a son, Gogol-a pet name that becomes permanent when his formal name, traditionally bestowed by the maternal grandmother, is posted in a letter from India, but lost in transit. Ashoke becomes a professor of engineering, but Ashima has a harder time assimilating, unwilling to give up her ties to India. A leap ahead to the '80s finds the teenage Gogol ashamed of his Indian heritage and his unusual name, which he sheds as he moves on to college at Yale and graduate school at Columbia, legally changing it to Nikhil. In one of the most telling chapters, Gogol moves into the home of a family of wealthy Manhattan WASPs and is initiated into a lifestyle idealized in Ralph Lauren ads. Here, Lahiri demonstrates her considerable powers of perception and her ability to convey the discomfort of feeling "other" in a world many would aspire to inhabit. After the death of Gogol's father interrupts this interlude, Lahiri again jumps ahead a year, quickly moving Gogol into marriage, divorce and a role as a dutiful if a bit guilt-stricken son. This small summary demonstrates what is most flawed about the novel: jarring pacing that leaves too many emotional voids between chapters. Lahiri offers a number of beautiful and moving tableaus, but these fail to coalesce into something more than a modest family saga. By any other writer, this would be hailed as a promising debut, but it fails to clear the exceedingly high bar set by her previous work.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School-A novel about assimilation and generational differences. Gogol is so named because his father believes that sitting up in a sleeping car reading Nikolai Gogol's "The Overcoat" saved him when the train he was on derailed and most passengers perished. After his arranged marriage, the man and his wife leave India for America, where he eventually becomes a professor. They adopt American ways, yet all of their friends are Bengalis. But for young Gogol and his sister, Boston is home, and trips to Calcutta to visit relatives are voyages to a foreign land. He finds his strange name a constant irritant, and eventually he changes it to Nikhil. When he is a senior at Yale, his father finally tells him the story of his name. Moving to New York to work as an architect, he meets Maxine, his first real love, but they separate after his father dies. Later, his mother reintroduces him to a Bengali woman, and they fall in love and marry, but their union does not last. The tale comes full circle when the protagonist, home for a Bengali Christmas, rediscovers his father's gift of Gogol's short stories. This novel will attract not just teens of other cultures, but also readers struggling with the challenges of growing up and tugging at family ties.
Molly Connally, Chantilly Regional Library, VA
Copyright 2003 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
... incredibly well written intricate tapestry of what it is like for an Indian woman who marries an Indian man ...
By booklover30
This is an incredibly well written intricate tapestry of what it is like for an Indian woman who marries an Indian man and follows him to a new life in America. The family values and customs from the parents of the immigrants cause unforeseen dilemmas. It is so intriguing, at each stage of their new life, to follow how it feels to be in a new land, how the customs differ, how their lives intertwine with others, and what it is like for their first child, the Namesake, through his childhood, and further down the road. I haven't yet finished the book, but it is a delight to read! For anyone who wonders what the immigrant experience is like, I highly recommend this book. For anyone who doesn't think about the immigrant experience, I particularly recommend this book!
0 of 0 people found the following review helpful.
Clean writing, real feeling
By AnandaK
I don't know why it took me so long to read this novel. I had read some of her stories and really enjoyed them, but maybe it was because I saw part of the movie from the novel and just couldn't get into it. The book is different.
Sometimes when I read novels with various points of view I find it a bit trite and not really useful. In this book I enjoyed getting the background on the main character, Gogol, through the story of his parents. The novel builds on the lives of the young Indian parents, goes on to describe their American-born children's lives through Gogol's eyes, and continues to follow him through adulthood and loss. Perhaps one point of view jump to his girlfriend wasn't really necessary, but I didn't hate it.
The novel reads like a nuanced family history, although it is mostly about Gogol, the Indian immigrant culture that shapes him, and his rebellion against all that. Anyone who has lived a certain number of years--whether they are children of immigrants or not--can empathize with the feelings of resistance against our parents that eventually, with time, morph into longing for the things that remind us of our parents.
I find Lahiri's writing clear and clean; flawless. She doesn't use a lot of trickery, and the simplicity is comforting and pleasurable. Reading this novel was like going on a smooth boat ride on placid waters. This is not to suggest it was boring--just that I never felt irritated or troubled by the writing.
0 of 0 people found the following review helpful.
what's in a name?
By M. Benton
I gave this book three stars although I highly recommend it. Basically it the story of identity and coming of age. Gogol grows up with a name foreign to him until he can change it to something that better suits him, Nihkil. As Nihkil he goes through college, grad school, has relationships and even marries but the other name is always hanging. Gogol is American but his parents came from Calcutta. He struggles with traditions and culture that feel foreign to him including his parents whom he tolerates. It's hard to tell where this novel took its turn but it seem to wrap up too quickly given the questioning and self doubts Nikkil experiences. The reader is left with the lingering question, "Is that all there is? as if something is amiss and needs further investigation. Regardless it is a smooth read and well told. The author also wrote The Lowlands, an engrossing story of India and the northeast US.
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